Chris Swithinbank

I’m lucky enough to be fin­ish­ing this month with two con­certs. On 22 March, the Cu­ri­ous Cham­ber Play­ers will per­form The In­credulity of St Thomas as part of Samtida Musik’s Vårflod Fes­ti­val in Stock­holm. The rest of the pro­gramme fea­tures re­cent works by Swedish com­posers and the con­cert is fol­lowed by a recital given by Garth Knox.

List­ings: Vårflod Fes­ti­val

Two days later, soun­dini­tia­tive will give their sec­ond per­for­mance of my most re­cent piece, All that is solid melts into air, at the What’s Next Fes­ti­val in Brus­sels. The con­cert will also in­clude the sec­ond per­for­mance of Joanna Bailie’s Ar­ti­fi­cial En­vi­ron­ment Nos. 9a–d and Re­becca Saun­ders’s Molly’s Song #3 — shades of crim­son, which they played with in­ten­sity and sub­tlety in Feb­ru­ary, so don’t miss it!

List­ings: Ars Mu­sica | soun­dini­tia­tive